About – Ole Henrik Hagen

/Einzelausstellungen/Solo Exhibition/Separat utstillinger

2020 „Red Lines, Frise Künstlerhaus Hamburg

2019 „another day“ Galerie Renate Kammer, Hamburg

2018 „People & Places“ Galerie Renate Kammer, Hamburg, m/A.Ekwall og E.Ballo

2017 „psykologiske landskaper“ Bærum Kunsthall, Bærum

2017 „Mind the Gap“, m/A.Ekwall og E.Ballo, Frise Künstlerhaus Hamburg

2016 „psychologische landschaften“ Galerie Renate Kammer, Hamburg

2015 „Behind lines – Drawing into space“, Kunstverein Bad Homburg

2014 „Edenrewind“, Funasaka Satoyama Art Festival m/S. Mohr, Japan

2014 „Behind lines“ Makii Masaru Fine Arts, Tokyo, Japan

2013 „Evolution“, Galerie Renate Kammer, Hamburg – Katalog

2013 „niveau de la mer“, Galeri du Tableau, Marseille m/S. Mohr

2009 Blauer Salong, Wiesbaden

2007 „Merry GoRound“, Line Gallery, Yanhuang Art Museum, Beijing

2007 Phantastisches Aquarium, Galerie Renate Kammer, Hamburg

2007 „Merry GoRound“, Jing Art Gallery, Shanghai

2005 „Objets Divers“, Galerie du Tableau, Marseille

2005 Palermo Bilder, Galerie Kammer, Hamburg

2004 „Avanti Popolo“, Area, Palermo

2002 „Dyptiske tegninger“, Tegnerforbundet, Oslo – Katalog

2001 „ikke vekk“, LNM, Oslo

2001 „Iris Access“, KünstlerhausHamburg, Hamburg

2000 „Dyptiske tegninger“, Museumsakademie Galerie Helen Adkins, Berlin – Katalog

1999 Kanalstipend utstilling, Nome, Telemark – Katalog

1998 Stavanger kunstforening

1998 Galerie Chr. Dam, Oslo

1997 Oslo Kunstforening – Katalog

1997 Den Norske Ambassade, Berlin

1994 Sønderjyllands Kunstmuseum, Tønder, Danmark

1994 Kunstnernes Hus, Århus

1991 Galerie Fürst-Sørensen, Oslo

1989 „Det finnes haver hvor det brenner en ensom fontene“ UKS, Oslo

1984 Galerie Wissart, Berlin

Gruppeutstillinger/Gruppenausstellungen/Group Exhibition

2024 „Oblique“, 8. Salong, Hamburg

2023 „Kunst Er“, Lambretta Kristiansand Kunsthall

2023 Lambretta, Surnadal Billag

2023 ENNUI, Mom art space, Hamburg

2023 Exlibris Frise Künstlerhaus Hamburg

2023 Thomas Rieck und freunde, Frise ,Hamburg

2022 Die Goldene Schnitte #2, Fett 6, Hamburg

2021 Wir sind Hier, Art of Hamburg, Hamburg

2021 Bauer stube Kunst Raum, Altona Museum

2021 Die Goldene Schnitte #2 Richas Digest Köln

2020 It will never be the same, JuroGrau & Freunde, Galerie Kammer , Hamburg

2020 Second sight, Art of Hamburg in Westwek, Hamburg

2019 Gallery 523, Busan, South Korea

2019 RADICAL TWILIGHT, Frappant Galerie, Hamburg

2019 „Die Goldene Schnitte“, Frise, Hamburg

2018 En utstilling om døden, på Maihugen, Installation m/ A Ekwall, E. Evensen, E Ballo, O.H. Hagen

2017 „in the black box“ forum box , Helsinki

2016 „The Material of Memory“ Frise Künstlerhaus Hamburg

2015 Randsone Vega, „Rotasjon 2“ m/A.Ekwall og E.Ballo

2015 „Cover“,Bernhard-Nocht-Straße, Hamburg

2014 „TRANS“, Galeri du Tableau, Marseille m/T.Rieck, G.Gerlach, F.Fux

2014 „TRANS“, Frise-Hamburg m/T.Rieck, G.Gerlach, F.Fux and others

2014 „abow is only sky“ Bremen, Kurator Belinda G. Gardner

2014 „Bunker“, Friedensalle 54 Hamburg, www.kunstprojekte.de, 2014

2013 „niveau de la mer“, Galeri du Tableau, Marseille m/S. Mohr

2012 “Daemons Dilemma“,Feld 6, „Rotation“ m/A.Ekwall, E.Ballo und E.A.Evensen

Frise Künstlerhaus Hamburg, D

2012 (DIS) PLACEMENT, Hamburg art Week, D

2012 PI die Verwandlungen des Kreises, Die Drostei, Pinneberg, D

2010 Das Ohr von Giacometti, Galerie Levy, Hamburg

2010 Nishinomiya Funasaka Biennale, Japan

2010 Landscape-moments-visions. Galleri renate kammer. Hamburg

2010 Vastarakkaus – Gegenliebe II, Muu Gallery Helsinki

2010 Blodig alvor, Bergen Kunstmuseum

2009 Flusslauf der Donau , Østerike, med Sabine Mohr og Christoph Rothmeier (utsmykning)

2009 Kunsten å falle, Preus Museum, Lambretta

2008 Kaleidoskop, S – Bahn Allermöhe, Hamburg (utsmykning)

2008 Amour Reciproque / Gegenliebe, Galerie Montgrand, Marseille – Katalog

2008 Raum als natur/Natur als gesetz, Kunstlerhaus Hamburg

2008 “wir nennen es Hamburg” Kunstverein Hamburg – Katalog

2008 Ach so !?“, Makii Masaru Fine Arts, Tokyo, Japan

2008 Floral Views, Galeri Renate Kammer, Hamburg

2006 „Wildwechsel“, Hilvaria studios, Tilburg, Holland

2006 „Rosenrot und Mauergelb“, Galleri Kammer, Hamburg

2005 „Tiere die in Städten leben“, 3. Fototrienale Hamburg – Katalog

2005 Kunst aus Norwegen 2005, Die Drostei, Pinneberg, D

2005 „wechselstrom“, Motorenhalle, Dresden

2004 „Time is on my side“ Kunstforening Rügen, D – Katalog

2004 „en natt i et Hotell“ Hotel Olympic , München

2003 „Harakiri bonbon“, Kunsthaus Hamburg- Plakatedisjon

2003 German/korea Especially Exibition, Seoul, Korea – Katalog

2002 „venner venner“ fra høstutstillingen 1986, Lambretta, Kunstnernes Hus, Oslo

2000 Künstlerhaus Hamburg , Tegninger

1999 WWW. Galerie Kai Hilgemann, Berlin

1998 „Nordischer Klang“, Schloss Griebenow, Greifswald,D

1998 Grosse Düsseldorfer Kunstausstellung, Düsseldorf

1992 Hammerlev kunst og kultursenter, Danmark

1990 Lambretta, Galerie F 15, Moss – Katalog

1987 Lambretta, Galerie Wissart, Berlin

1986 Lambretta, „ Venner venner det finnes venner“ høstutstillingen, Oslo

1985 Høstutstillingen, Oslo

1985 Lambretta, Sveaborg, Helsingfors, – Katalog

1985 Lambretta, Tidskonsept IV Jøtul fabrikker, for spiellefilmen X, Video

1985 Lambretta, Islandsbrygge, Kjøbenhavn

1985 Lambretta, Kunst in Norwegen Heute, Neue Galerie, Aachen, – Katalog

1985 Lambretta, Art in Norway today, Royal College of art London – Katalog

1985 Lambretta, Tidskonsept V, Lakkegata Oslo, Video

1984 Lambretta, Tidskonsept III, Henie Onstad Kunstsenter

1983 Lambretta, Wangs Kunsthandel, Oslo

1983 Lambretta, Tidskonsept II, Lakkegata, Oslo m/Holy Toy og Einstürzende Neubauten

1983 Lambretta, Kulturen lever, Aker brygge

1982 Lambretta, Tidskonsept I, Lakkegata, Oslo

/Stipender/Stipendien/Grants

2016 Statens Diversestipend

2016 Bildende Kunstnernes Hjelpefonds utstillingsstøtte

2011 Bildende Kunstnernes Hjelpefonds kunstnerstipend

2009 Prosjektstøtte

2006 Office for Contemporary Art Norway, Plattform China, Beijing

2004 Sintesi Cultura,(Goethe-Institutt, Centre Culturel Francais), Artist in residence, Palermo

2001 Vederlagsfondet

1999 Lindbäck Langgaard reisestipend

1998 Kanalstipend Nome Kommune

1998 BkH – 3 årig arbeidsstipend

1997 Statens reise eller studiestipend

1995 Vederlagsfondet

1994 Vederlagsfondet

1993 Vederlagsfondet

1993 Daad studiestipend, Berlin

1991 Prosjektstøtte

1988 Videreutdanningstipend

/Kataloger/ Kataloge/Catalogs

2013 Evolution, Galleri Renate Kammer, Hamburg

2011 Lambretta-Brytninger i tiden – Louise Braarhen, Masteroppgave

1997 Oslo Kunstforening (med støtte fra kulturrådet)

1999 Kanalstipendutstilling, Nome Kommune, Telemark

2000 Dyptiske tegninger/ Diptyche Zeichnungen, Museumsakademiet-Galerie Helen Adkins,

Berlin (med støtte fra kulturrådet)

„Lambretta-Brytninger i tiden“, Masteroppgave i Kunsthistorie ved Universitetet i Bergen

The subject of this thesis is the Norwegian group of artists called Lambretta. The group was formed in Oslo in 1982, and was active until 1987. The Lambretta group consisted of Edgar Ballo, Axel Ekwall, Erik Annar Evensen, Ole Henrik Hagen, Jon Arne Mogstad and Terje Uhrn. Originally, the members of the group were all painters, but the group dynamics that emerged through sharing a common studio resulted in large installation art pieces. On the one hand, they were to a large extent following the general artistic tendencies of the time, onthe other hand they represented something radically new.In this study I will focus on describing the new aspect of the art created by the Lambretta group. Because of the avant-gardes notion of novelty and originality, Lambretta will be discussed in relation to the concept of the avant-garde.

The thesis begins with a presentation of the total artistic production of the Lambretta group. This forms the basis of an examination of the formation of the group, the nature of the group dynamics and the development of their common artistic expression. The works of the Lambretta group are seen in light of the Norwegian and international art scene in the beginning of the eighties, and the new artistic expressions that emerged in those years. Then,the different theoretical understandings of the avant-garde, from the texts of Renato Poggioli, Clement Greenberg, Rosalind Krauss, Jean-Francois Lyotard and Donald Kuspit, form the basis for the final, and central, discussion of “the new”. This paper argues that, in accordance with Lyotard’s theory of the sublime and the avant-garde, Lambretta did create unique artistic expressions of the sublime. The conclusions states that the Lambretta group indeed can be seen as representatives of a post-modern avant-garde.

Louise Braathen